The label makes comparisons to Rhapsody, yet more often the music is more reminiscent of the last pair of Symphony X discs (see ‘Across The Endless Sea Part II’), albeit synth driven (naturally, given Giordana’s instrumental choice). ‘Master Of The Waves’ is the most orchestral in nature, commencing with brass fanfares and strings, backed by female voices. The fairer sex’s vocals completely take over ‘Ending Credits’.