The album opens with ‘Here’s My Hell’, an operatic number reminiscent of Tarja Turunen’s tenure in Nightwish (with gritty/borderline death metal male counterpart, courtesy of ex-Orphanage grunter George Oosthoek). In that regard, it’s also similar to countrymen Epica. A symphonic /operatic /classical underpinning is evident throughout most of the disc, most notably the choir backed ‘Million’. At a mere four minutes, the ‘I Lost Myself’ finale is basically Jansen and a mournful piano.
ReVamped, but not quite amped enough.