Apart from a 15 page discography, this is a 170 page, visual-filled tome of loosely connected essays (from various authors) surrounding non-traditional views of “black metal.” What that term means to various people seems to be defined by time/era and location, all of which are presented throughout the book. Certainly doesn’t dwell on the best known bands, nor era (early 90s Norway), but goes a few layers deeper, complete with black and white, photocopied old flyers/photos, etc. Some artsy landscapes are included, as well. Like The Wizard Of Oz, about half way through, color is injected, although the primary hue remains b&w. The format of each writer is slightly different, some attempting to right (perceived) wrongs or neglect, interviewing musicians from yesteryear.

Apart from a 15 page discography, this is a 170 page, visual-filled tome of loosely connected essays (from various authors) surrounding non-traditional views of “black metal.” What that term means to various people seems to be defined by time/era and location, all of which are presented throughout the book. Certainly doesn’t dwell on the best known bands, nor era (early 90s Norway), but goes a few layers deeper, complete with black and white, photocopied old flyers/photos, etc. Some artsy landscapes are included, as well. Like The Wizard Of Oz, about half way through, color is injected, although the primary hue remains b&w. The format of each writer is slightly different, some attempting to right (perceived) wrongs or neglect, interviewing musicians from yesteryear.