OK, I knew Derek Hess in the early to mid-80s, when he was going to Cleveland Institute of Art and I was at Case Western reserve University. He'd call my college radio show with requests and we'd see each other at metal shows (the classic Accept '84 gig at the Agora, recorded for King Biscuit, being particularly memorable) as well as at the watering holes on the edge of campus. Those days are only alluded to, in this well done documentary, although some of the candid shots from that era feature flyers and posters for metal shows, in the background. Sort of ironic, since Hess' claim to fame, initially, was his outlandish creations advertising shows at the Euclid Tavern. That was in the Nineties.

From there, Derek parlayed his artistic talents into album covers and eventually his own line of clothing. He does more than simply draw images, but creates stunning visuals, often on top of existing media (sheet music, mag covers and lately, on old 8-track tapes). His handiwork hangs in both the Rock n Roll Hall Of fame and the Louvre. Not too many can claim that doubleheader! Like many artists, visual, performing, recording or otherwise, his life is not without struggles, which are touched upon (alcoholism, bipolar disorder), but he's quick to point out neither are excuses, nor worthy of pity.

As someone with virtually no artistic talent, it's amazing to watch the tattooed, band shirt wearing creator pick up a pencil and effortlessly sketch the human form, or any of his exaggerated forms, in a matter of seconds. There are testimonials from art experts and musicians, as well as some live bootleg footage. He nearly lost it all, in the new millennium, with alcoholic relapse after a romantic break-up. His ability to tap into (darker0 human emotions has helped those struggling with medical conditions and/or have others tattoo his artwork onto their bodies, as shown towards the conclusion of the film . Through it all, he maintains a sense of humor, seemingly never taking himself too serious. A nice change from the usual egotists.